Dedication, Obsession, Fanaticism and the Happy HobbyistIts not the same for everyone; the only thing we know for sure is, that in our quest to be successful in the musical world, it takes work, how much work and the intensity of that work is personal but it takes work. Sometimes the decision of how much work is made by choice and sometimes its made simply because of our individual unique natures. Whatever our personal nature though, there still is room for some choice; we are all our own teachers and that being so, we all need to make our individual personal teaching decisions.With a Tear or a Smile?Lets hope the Good ol days are gone forever: The good ol days when the enraged maestro would strike the students fingers with a cane or a ruler when he or she missed a note! But in our personal practice habits where is that optimum line where patience and perseverance are in good balance? I have a very good friend, an old colleague, exactly my age, from the Los Angeles Philharmonic, who used to profess, and I fear believed, A good musician is a scared musician! What a sad (and inefficient) approach to making music! I also know an extremely talented young woman whose mother believed she should practice for her piano lessons only when she wanted to. Of course, the young girl always opted to go out and play instead of practicing and consequently that great talent was never developed. Another sad approach, and today the young woman regrets that actively participating in the performance of music is not a part of her life. To be sure, our philosophies of how to think when we make music differ from the happy hobbyist to the tough hided, seasoned symphony orchestra musician. But in comparison to the Good ol days we have learned through educational psychology research that knowledge and skills develop more efficiently without unnecessary stress. Quite simply, learning and performing work better when were happy!
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